I construct scenes in which space creates proximity without access, where figures are visible yet turned away, and seeing does not lead to knowing.

Shaped by living across Hong Kong, London, and New York, my work draws from dense urban environments defined by movement, repetition, and fleeting encounters. Individuals exist in close physical proximity yet remain psychologically and socially distant.

Through architectural framing, controlled distance, and deliberate omission, I limit what can be accessed within the image. Information is present but incomplete, visibility is clear but unresolved. The figures function as points of withdrawal, holding the viewer in observation without entry.